The Third Macabre MEGAPACK®: 25 Classic Tales of Horror by Gertrude Atherton & Lafcadio Hearn

The Third Macabre MEGAPACK®: 25 Classic Tales of Horror by Gertrude Atherton & Lafcadio Hearn

Author:Gertrude Atherton & Lafcadio Hearn [Atherton, Gertrude]
Language: eng
Format: azw3
Tags: ghost, horror, monster, dark fantasy
ISBN: 9781479408580
Publisher: Wildside Press LLC
Published: 2014-04-06T16:00:00+00:00


For several moments the silence of the company was unbroken. Finally a gentleman, wishing to relieve the tension, cried out:

“Come now, doctor, confess that this is really all fiction; that you merely want to prevent these ladies from getting any sleep tonight.”

Tribourdeaux bowed stiffly, his face unsmiling and a little pale.

“You may take it as you will,” he said.

A LEMON-TREE, by Ouida

I

It was a small lemon-tree, not more than forty inches high, growing in its red earthen vase as all lemons are obliged to be grown further north than Rome. There were many thousands and tens of thousands of other such trees in the land; but this one, although so little, was a source of joy and pride to its owner. He had grown it himself from a slender slip cast away on a heap of rubbish, and he had saved his pence up with effort and self-denial to purchase, second-hand, the big pot of ruddy clay in which it grew, now that it had reached its first fruit-bearing prime. It had borne as its first crop seven big, fragrant lemons, hanging from its boughs amidst leaves which were as fresh and green as a meadow in May. He had watched its first buds creep out of the slender twigs, and swell and swell gradually into sharp-pointed little cones, which in their turn became pale yellow fruit, “fit for a princess,” as he said, patting their primrose-coloured rind. They seemed so many separate miracles to him, coming as by some magic out of the little starry white flowers on the glossy twigs.

He was a poor, ignorant man, by name Dario Baldassino, known as Fringuello (or the Chaffinch) to his neighbourhood and fellow workmen. He lived on the south side of the ferry of Royezano, and dug and carted the river-sand; a rude labour and a thankless, taking the sinew and spirit out of a man, and putting little in return into his pocket. The nave or ferry is a place to please an artist. All the land around on this south side is orchard—great pear-trees and cherry-trees linked together by low-growing vines, and in the spring months making a sea of blossom stretching to the river’s edge. The watermills, which were there centuries ago, stand yellow and old, and cluster like beavers’ dams upon the water. The noise of the weir is loud, but the song of the nightingale can be heard above it. Looking along westward down the widening, curving stream, above the fruit-trees planted thick as woods, there arise, two miles off, the domes and spires of the city of Florence, backed by the hills, which here take an Alpine look upon them when the sun sets beyond the rounded summits of the more distant Carrara range; and the spurs of the Apennines grow deeply blue with that intense transparent colour which is never seen in northern lands. To the north also lie the mountains, and on the east; and late into May the snow lingers where the day breaks above Vallombrosa and Casentino.



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